by Lydia Velazquez ‘17

Dreams are frightening, no doubt about it, especially in a day and age when the “future” is constantly at teenagers’ throats and it seems more reasonable to pursue a career that guarantees stability rather than fulfilling a dream. Though there is nothing wrong with wanting to major in something that provides a sense of security, junior Rachel Weisenthal does not let the intensity of her ambitions stifle her.

“Honestly I won’t be happy and satisfied unless I’m performing,” said Weisenthal, “and I’m willing to work my butt off to make that happen.”

Weisenthal began to put on “shows” for relatives at a tender age. It wasn’t until 4th grade when she participated in a performance at a local Jewish community center that she recognized her interest in performing extended beyond the family living room.

Over the years, Weisenthal has been involved with organizations like Damascus Theatre Company and Blake High School Summer Musical Institute. She has held down roles such as Chava in “Fiddler on the Roof,” Paulette Bonafonté in “Legally Blonde,” and Erma in “Anything Goes.” Her most recent, and possibly favorite, performance was “A Grand Night for Singing” at the Gaithersburg Arts Barn.

“Performing live forces you to do your best every single time. A different audience sees you every night, and it’s your responsibility as an actor to give each audience your best performance,” explained Weisenthal. “There’s nothing to hide behind; the second you’ve said a line or sang a song it’s unchangeable whether you did your best or worst.”

With this daring mindset, Weisenthal has been open to learning and developing new skills in a very different kind of classroom. Though wearing lots of makeup, donning (sometimes) fancy costumes, and being the center of attention for a few hours might seem all fun and games, it really isn’t. Performing has taught Weisenthal about hard work, accepting rejection, and being confident in front of a crowd. Not to mention that playing a countless number of characters has given her the opportunity to gain new perspective on different lives.

Over the course of her own life, Weisenthal has gained inspiration from individuals both on and off the stage. Choir teachers Michael Maddox and Bill Evans hold a special place in her heart as they have helped her hone in on her technique and have taught her to appreciate music more and understand the vast impact it has on people’s lives. Another prominent mentor in Weisenthal’s life is her vocal coach, Dorothy Miller.

“She is the most wholesome, loving, good-natured person I know,” gushed Weisenthal. “Without her I wouldn’t perform and sing the way I do today. If I make it on Broadway, I’m going to mention and thank her every chance I get.”

With a growing number of shows under her belt and a loyal support system, Weisenthal has confidence in her future and plans on finding her place on the marquee with, as she says, “sheer will, determination, and hopefully a little luck.”